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== Getting started == | == Getting started == | ||
Readers interested in authorship attribution may understandably find the sheer quantity of scholarship on the subject intimidating. For an engaging introduction to attribution study – its history, principles, and methods – written for the non-specialist reader, the | Readers interested in authorship attribution may understandably find the sheer quantity of scholarship on the subject intimidating. For an engaging introduction to attribution study – its history, principles, and methods – written for the non-specialist reader, the Generals Editors recommend Harold Love's ''Attributing Authorship: An Introduction'' (Cambridge: Cambridge UP, 2002). | ||
For an overview | For an overview of attribution studies of Shakespeare and early modern drama, see Gabriel Egan's chapter, 'A History of Shakespearean Authorship Attribution', in ''The New Oxford Shakespeare Authorship Companion'', ed. by Gary Taylor and Gabriel Egan (Oxford UP, 2017), pp. 27–47. For a primer in Shakespeare authorship attribution, see Hugh Craig, 'Shakespeare and Authorship Attribution Methodologies', in ''The Arden Research Companion to Shakespeare and Textual Studies'', ed. by Lukas Erne (Arden Shakespeare, 2021), pp. 225–43. | ||
== Works Cited == | == Works Cited == | ||
This section supplies bibliographical information for scholarship cited in CADRE entries | This section supplies bibliographical information for scholarship cited in CADRE entries. | ||
=== A === | === A === | ||
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=== E === | === E === | ||
* Eder, Maciej, 'Mind Your Corpus: Systematic Errors in Authorship Attribution', ''Literary and Linguistic Computing'', 28 (2013), 603–14. | * Eder, Maciej, 'Mind Your Corpus: Systematic Errors in Authorship Attribution', ''Literary and Linguistic Computing'', 28 (2013), 603–14. | ||
* Egan, Gabriel, 'A History of Shakespearean Authorship Attribution', in ''The New Oxford Shakespeare | * Egan, Gabriel, 'A History of Shakespearean Authorship Attribution', in ''The New Oxford Shakespeare Authorship Companion'', ed. by Gary Taylor and Gabriel Egan (Oxford UP, 2017), pp. 27–47. | ||
* Egan, Gabriel, 'What is Not Collaborative about Early Modern Drama in Performance and Print?', ''Shakespeare Survey'', 67 (2014), 18–28. | * Egan, Gabriel, 'What is Not Collaborative about Early Modern Drama in Performance and Print?', ''Shakespeare Survey'', 67 (2014), 18–28. | ||
* Eisen, Mark, Alejandro Ribeiro, Santiago Segarra, and Gabriel Egan, 'Stylometric Analysis of Early Modern Period English Plays', ''Digital Scholarship in the Humanities'', 33 (2018), 500–28. | * Eisen, Mark, Alejandro Ribeiro, Santiago Segarra, and Gabriel Egan, 'Stylometric Analysis of Early Modern Period English Plays', ''Digital Scholarship in the Humanities'', 33 (2018), 500–28. | ||
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=== J === | === J === | ||
* Jackson, MacDonald P., ''Determining the Shakespeare Canon: "Arden of Faversham" and "A Lover's Complaint"'' (Oxford UP, 2014). | * Jackson, MacDonald P., ''Determining the Shakespeare Canon: "Arden of Faversham" and "A Lover's Complaint"'' (Oxford UP, 2014). | ||
* Jackson, MacDonald P., 'John Webster and Thomas Heywood in ''Appius and Virginia'': A Bibliographical Approach to the Problem of Authorship', ''Studies in Bibliography'', 38 (1985), 217–35. | * Jackson, MacDonald P., 'John Webster and Thomas Heywood in ''Appius and Virginia'': A Bibliographical Approach to the Problem of Authorship', ''Studies in Bibliography'', 38 (1985), 217–35. | ||
* Jackson, MacDonald P., 'Late Webster and His Collaborators: How Many Playwrights Wrote ''A Cure for a Cuckold''?', ''Papers of the Bibliographical Society of America'', 95 (2001), 295–313. | * Jackson, MacDonald P., 'Late Webster and His Collaborators: How Many Playwrights Wrote ''A Cure for a Cuckold''?', ''Papers of the Bibliographical Society of America'', 95 (2001), 295–313. | ||
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* Lake, David J., ''The Canon of Thomas Middleton's Plays: Internal Evidence for the Major Problems of Authorship'' (Cambridge UP, 1975). | * Lake, David J., ''The Canon of Thomas Middleton's Plays: Internal Evidence for the Major Problems of Authorship'' (Cambridge UP, 1975). | ||
* Lake, David J., 'Three Seventeenth-Century Revisions: ''Thomas of Woodstock'', ''The Jew of Malta'', and ''Faustus B''', ''Notes & Queries'', 30 (1983), 133–43. | * Lake, David J., 'Three Seventeenth-Century Revisions: ''Thomas of Woodstock'', ''The Jew of Malta'', and ''Faustus B''', ''Notes & Queries'', 30 (1983), 133–43. | ||
* Love, Harold, ''Attributing Authorship: An Introduction'' (Cambridge: Cambridge UP, 2002). | * Love, Harold, ''Attributing Authorship: An Introduction'' (Cambridge: Cambridge UP, 2002). | ||
* Luyckx, Kim, and Walter Daelemans, 'The Effect of Author Set Size and Data Size in Authorship Attribution', ''Literary and Linguistic Computing'', 26 (2011), 35–55. | * Luyckx, Kim, and Walter Daelemans, 'The Effect of Author Set Size and Data Size in Authorship Attribution', ''Literary and Linguistic Computing'', 26 (2011), 35–55. | ||
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=== O === | === O === | ||
* Oliphant, E.H.C., ''The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others'' (Yale UP, 1927). | * Oliphant, E.H.C., ''The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others'' (Yale UP, 1927). | ||
* Oliphant, E.H.C | * Oliphant, E.H.C, 'Problems of Authorship in Elizabethan Dramatic Literature', ''Modern Philology'', 8 (1911), 411–59. | ||
=== R === | === R === | ||
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* Segarra, Santiago, Mark Eisen, Gabriel Egan, and Alejandro Ribeiro, 'Attributing the Authorship of the ''Henry VI'' Plays by Word Adjacency', ''Shakespeare Quarterly'', 67 (2016), 232–56. | * Segarra, Santiago, Mark Eisen, Gabriel Egan, and Alejandro Ribeiro, 'Attributing the Authorship of the ''Henry VI'' Plays by Word Adjacency', ''Shakespeare Quarterly'', 67 (2016), 232–56. | ||
* Smith, M.W.A., 'The Authorship of "A Lover’s Complaint": An Application of Statistical Stylometry to Poetry', ''Computers and the Humanities'', 18 (1984), 23–37. | * Smith, M.W.A., 'The Authorship of "A Lover’s Complaint": An Application of Statistical Stylometry to Poetry', ''Computers and the Humanities'', 18 (1984), 23–37. | ||
* Smith, M.W.A | * Smith, M.W.A, 'The Authorship of Acts I and II of ''Pericles'': A New Approach Using First Words of Speeches', ''Computers and the Humanities'', 22 (1988), 23–41. | ||
* Smith, M.W.A., 'An Investigation of Morton’s Method to Distinguish Elizabethan Playwrights', ''Computers and the Humanities'', 19 (1985), 3–21. | * Smith, M.W.A., 'An Investigation of Morton’s Method to Distinguish Elizabethan Playwrights', ''Computers and the Humanities'', 19 (1985), 3–21. | ||
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* Taylor, Gary, and John V. Nance, 'Imitation or Collaboration? Marlowe and the Early Shakespeare Canon', ''Shakespeare Survey'', 68 (2015), 32–47. | * Taylor, Gary, and John V. Nance, 'Imitation or Collaboration? Marlowe and the Early Shakespeare Canon', ''Shakespeare Survey'', 68 (2015), 32–47. | ||
* Taylor, Gary, John V. Nance, and Keegan Cooper, 'Shakespeare and Who? Aeschylus, ''Edward III'' and Thomas Kyd', ''Shakespeare Survey'', 70 (2017), 146–53. | * Taylor, Gary, John V. Nance, and Keegan Cooper, 'Shakespeare and Who? Aeschylus, ''Edward III'' and Thomas Kyd', ''Shakespeare Survey'', 70 (2017), 146–53. | ||
=== V === | === V === |